1614 Tabula Cananae
Hondius / Mercator in NEW framing and 99% UV protection glass
SIZE: 166 x 216mm
CONDITION: very good. Nice clean paper with a sharp print. Some small holes in the top right corner (no loss of image). Bottom margin is somewhat narrower, but sufficient. Otherwise wide margins. Hand-coloured. Text on the back in French.
Early 17th century copper engraving of the map of the Holy Land and a sailing ship and sea monster (Jonas and the whale) off the coast.
A nice map of the Holy Land. The original map was made by Mercator and Hondius in Amsterdam in 1614 by published in a French version of the ‘Atlas Minor´ or “Atlas Minor, traduit du Latin en Français par le Sieur De La Popeliniere, gentilhomme François".
SHIPPING INFO
Shipping is possible upon request. Charges applied.
PICKUP & DELIVERY
Customers can pickup the maps by our location. Delivery is optional however, charges will be applied.
About the carthographer:
Gerardus Mercator (/dʒɪˈrɑːrdəs mɜːrˈkeɪtər/;[1][2][3] 5 March 1512 – 2 December 1594)[4] was a 16th-century German-Flemish cartographer, geographer and cosmographer. He was renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing (rhumb lines) as straight lines—an innovation that is still employed in nautical charts.
Mercator was one of the founders of the Netherlandish school of cartography and is widely considered as the most notable figure of the school in its golden age(approximately 1570s–1670s). In his own day he was the world's most famous geographer but, in addition, he had interests in theology, philosophy, history, mathematics and geomagnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments.
Unlike other great scholars of the age he travelled little and his knowledge of geography came from his library of over one thousand books and maps, from his visitors and from his vast correspondence (in six languages) with other scholars, statesmen, travellers, merchants and seamen. Mercator's early maps were in large formats suitable for wall mounting but in the second half of his life he produced over 100 new regional maps in a smaller format suitable for binding into his Atlas of 1595. This was the first appearance of the word Atlas in a geographical context but Mercator used it as a neologism for a treatise (Cosmologia) on the creation, history and description of the universe, not simply a collection of maps. He chose the word as a commemoration of a King Atlas of Mauretania whom he considered to be the first great geographer. This King Atlas was a son of the Titan Atlas but the two myths very quickly coalesced.
A large part of Mercator's income came from the sales of his terrestrial and celestial globes. For sixty years they were considered to be the finest in the world, and they were sold in such great numbers that there are many surviving examples. This was a substantial enterprise involving making the spheres, printing the gores, building substantial stands, packing and distributing all over Europe. He was also renowned for his scientific instruments, particularly his astrolabes and astronomical rings used to study the geometry of astronomy and astrology.
Mercator wrote on geography, philosophy, chronology and theology. All of the wall maps were engraved with copious text on the region concerned. As an example the famous world map of 1569 is inscribed with over 5000 words in fifteen legends. The 1595 Atlas has about 120 pages of maps and illustrated title pages but a greater number of pages are devoted to his account of the creation of the universe and descriptions of all the countries portrayed. His table of chronology ran to some 400 pages fixing the dates (from the time of creation) of earthly dynasties, major political and military events, volcanic eruptions, earthquakes and eclipses. He also wrote on the gospels and the old testament.
Mercator was a devout Christian born into a Catholic family at a time when Martin Luther's Protestantism was gaining ground. He never declared himself as a Lutheran but he was clearly sympathetic and he was accused of heresy (Lutheranye). He spent six months in prison but he emerged unscathed. This period of persecution is probably the major factor in his move from Catholic Leuven (Louvain) to a more tolerant Duisburg where he lived for the last thirty years of his life. Walter Ghim, Mercator's friend and first biographer, describes him as sober in his behaviour, yet cheerful and witty in company, and never more happy than in debate with other scholars, but above all he was pious and studious until his dying days.[5]
Jodocus Hondius (Latinized version of his Dutch name: Joost de Hondt) (14 October 1563 – 12 February 1612) was a Flemish engraver and cartographer. He is sometimes called Jodocus Hondius the Elder to distinguish him from his son Jodocus Hondius II. Hondius is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. One of the notable figures in the Golden Age of Dutch/Netherlandish cartography (c. 1570s–1670s), he helped establish Amsterdam as the center of cartography in Europe in the 17th century.
Hondius was born in Wakken and grew up in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders.
While in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the bay of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius's map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London
In 1593 he moved to Amsterdam, where he remained until the end of his life. In co-operation with the Amsterdam publisher Cornelis Claesz. in 1604 he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself had produced. Despite the addition of his own contributions, Hondius gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius's new edition of Mercator's work was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version Atlas Minor. The maps have since become known as the "Mercator/Hondius series".
In the French edition of the Atlas Minor we find one of the first instances of a thematic map using map symbols. This is a map entitled Designatio orbis christiani (1607) showing the dispersion of major religions.[1]
Between 1605 and 1610 he was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine.
Hondius died, aged 48, in Amsterdam. After his death, his publishing work in Amsterdam was continued by his widow, two sons, Jodocus II and Henricus, and son-in-law Johannes Janssonius, whose name appears on the Atlas as co-publisher after 1633.[2] Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Kâtip Çelebi. The series is sometimes called the "Mercator/Hondius/Janssonius" series because of Janssonius's later contributions.